Diddy’s Downfall (2024)

I elevated the documentary with rare visuals (from Sean John campaigns to Diddy’s high school yearbook) that gave the audience fresh context. By licensing exclusive international interviews and fact-checking lawsuit timelines, I ensured the story felt both culturally expansive and journalistically airtight.

Andrew Tate: Into the Manosphere (2024)

I shaped this special from pitch to air, resurrecting deleted Tate content and organizing an archive that spanned hours of material from Romania. My work provided unique, verifiable evidence that grounded the script, giving ABC News a sharper and more authoritative perspective than competitors.

Superstar: Kobe Bryant (2021)

I coordinated with ABC’s Los Angeles affiliate to gather archival photos and video of Kobe Bryant’s personal life, while also liaising with sports organizations to request in-house content (even when licensing costs were steep). I also supported a reenactment shoot with an actor portraying Kobe, working on set in a high school for locker room and basketball court scenes.

Who Shot Tupac? (2023)

I assisted the production team in researching case files and archival footage to verify the timeline of events surrounding Tupac’s murder. I also helped refine early script drafts by fact-checking key claims and sourcing visuals that connected the documentary’s investigative tone with the cultural moment it explored.

Unboxing Shein (2023)

I supported the early development of the documentary by researching Shein’s supply chain and global reach, helping the team break down complex sourcing data into digestible visuals. I also contributed to script revisions, tightening the storytelling so the piece balanced investigative reporting with sharp, modern commentary on fast fashion.

Kendrick v. Drake: The Feud (2025)

I helped shape the narrative arc by pulling archival interviews, social clips, and lyrical references that mapped how the rivalry unfolded in real time. I also assisted with scripting and visual sequencing, making sure the story captured not just the artists’ tension, but the cultural pulse that turned it into a global conversation.

Notorious: Ghislaine Maxwell (2021)

I sourced rare photos of Robert Maxwell’s life and worked closely with producers to shape how those images supported the narrative. By also producing reenactment B-roll with actors and crew, I ensured the visuals weren’t just filler but story-driven moments that deepened audience understanding.

Amanda Gorman: Brave Enough (2021)

I collaborated with the Good Morning America team on this special, where Robin Roberts served as correspondent. I organized parental clearances for a Harlem classroom surprise, coordinated with videographers, and managed all incoming media. On set, I handled logistics to ensure Amanda’s Zoom appearance landed seamlessly.

Say Her Name: Breonna Taylor (2020)

I curated a sensitive archive of Breonna’s personal photos, protest footage, and unreleased bodycam transcripts. By humanizing the coverage and documenting the national response, I helped ABC deliver storytelling that honored her life and reflected the urgency of the movement her death ignited.

Lita McClinton (2024)

I transformed FBI documents, photos, and transcripts into a unified archive that producers could actually build on. My work sharpened interview questions, structured the story’s narrative spine, and gave audiences a deeper, more personal view into a decades-old case.

Charlie Adelson Trial (2023)

During the fast-moving trial, I recovered corrupted files, managed live transcription, and coordinated courtroom feeds. My proactive organization allowed producers to deliver same-day, fact-checked coverage; keeping ABC ahead in accuracy and timeliness as the case unfolded in real time.

Long Island Serial Killer (2023)

I turned scattered sources into a cohesive visual archive (mugshots, victim photos, dating app images, and on-the-ground reenactments) that gave the episode its emotional gravity. My coordination ensured the production didn’t just tell the story, but captured the weight of it for viewers nationwide.

24 Months That Changed the World (2022)

I streamlined graphics requests across six acts of the documentary, keeping designers and producers aligned on tone and edits. My coordination created a consistent, professional polish that gave the production credibility while meeting demanding deadlines.

Platinum Party at the Palace (2022)

I monitored BBC’s live broadcast in real time, flagging standout performances and speeches that would resonate with U.S. audiences. My selections helped ABC cut a global event into a sharper, more relevant broadcast that connected royal tradition with pop culture for viewers worldwide.

Where Monsters Hide: Kelly Cochran (2023)

I managed a three-day reenactment shoot with multiple actors, overseeing schedules, wardrobe changes, and transportation. By handling the details and keeping talent supported, I freed producers to focus on story, ensuring the shoot delivered professional, compelling visuals that elevated the final cut.